curriculum vitae

Solo Exhibitions

2013
  • Teaching Gallery, Hudson Valley Community College, Troy, NY
  • The Niche New Media Project, University of Virginia, Charlottesville, VA

2012
  • bitforms gallery / Issue Project Room, New York, NY
  • Martin Art Gallery, Muhlenberg College, Allentown, PA
  • Chazan Gallery, Providence, RI

2011
  • Catharine Clark Gallery, San Francisco, CA

2006
  • Catharine Clark Gallery, San Francisco, CA
  • Fresno Metropolitan Museum, Off-Site Series, Fresno, CA

2005
  • Computing Commons Gallery, Arizona State University, Tempe, AZ
  • Radio Berlin-Brandenburg Klanggalerie, Berlin, Germany

2004
  • Interaccess, Toronto, Canada
  • Forum Itinérant, Strasbourg, France

2003
  • Institute of Modern Art, Brisbane, Australia
  • Voxxx, Chemnitz, Germany
  • Catharine Clark Gallery, San Francisco, CA

2002
  • Galerie Rachel Haferkamp, Cologne, Germany

2001
  • Sparwasser HQ, Berlin, Germany
  • singuhr-hörgalerie, Berlin, Germany
  • MATRIX 193, Vanishing Point, UC Berkeley Art Museum and Pacific Film Archives, Berkeley, CA

1999
  • Artspace, Sydney, Australia
  • Thompson Art Gallery, San Jose State University, San Jose, CA

1998
  • Fairfield Center Gallery, Fairfield, CA
  • Galerie DARE-DARE, Montréal, Quebec, Canada

1997
  • Catharine Clark Gallery, San Francisco, CA

1996
  • Kästrich, Mainz, Germany
  • Yerba Buena Center for the Arts, San Francisco, CA
  • Urban Institute for Contemporary Art, Grand Rapids, MI
  • LACE, Los Angeles, CA

1995
  • Rensselaer Center for Contemporary Art, Troy, NY
  • San Francisco Arts Commission Gallery, San Francisco, CA
  • Catharine Clark Gallery, San Francisco, CA
  • Modern Fuel Gallery, Kingston, Ontario

1994
  • Het Apollohuis, Eindhoven, Netherlands

1993
  • The LAB, San Francisco, CA

1992
  • Southern Exposure Gallery, San Francisco, CA
  • Pro Arts Gallery, Oakland, CA

1990
  • Mobius, Boston, MA


Group Exhibitions

2015
  • ISEA2015, Simon Fraser University, Vancouver, BC, Canada
  • New York Electronic Arts Festival, Harvestworks, Governors Island, New York, NY
  • Apex Art, New York, NY, FOOT NOTES: On the Sensations of Tone

2014
  • Caramoor Center for Music and the Arts, Katonah, NY with the Lyndhurst Estate, Tarrytown, NY, In The Garden of Sonic Delights
  • UBS Gallery, New York, NY, Magnetic North: Artists and the Arctic Circle
  • Chicago Cultural Center, Chicago, IL, NMC10 - New Media Caucus 10-Year Anniversary Program; travelled to Llewellyn Gallery, Alfred State College, Alfred, NY; Youngstown State University, Youngstown, OH; Brick City Gallery, Missouri State University, Springfield, MO.

2013
  • Yale University Art Gallery, New Haven, CT, Collection View
  • Studio 1504, Abu Dhabi, United Arab Emirates, PVD: TLA
  • ISEA2013, University of Technology Sydney, Sydney, Australia, EchoSonics
  • Beall Center for Art & Technology, University of California at Irvine, Irvine, CA, Sight & Sound
  • Zilkha Gallery, Wesleyan University, Middletown, CT, The Alumni Show II
  • RISD Museum, Providence, RI, Locally Made
  • Skibbereen Arts Festival, Skibbereen, Ireland, North of the Mind

2012
  • San Francisco Museum of Modern Art, San Francisco, CA, Collection View: Night-Sea Music
  • AS220, Providence, RI, Traces: persistent & fleeting
  • Green Space, TF Greene Airport, Warwick, RI, Reconsidering

2011
  • Run Run Shaw Arts Centre, City University of Hong Kong, China, White Walls Have Ears
  • SoundFjord Gallery, London, UK, Sonic Exquisite Corpse
  • NetAudio Festival, Roundhouse, London, UK, Broadcast: The Picnoleptic Muse
  • Resound Falmouth, Cornwall, UK, (Un) Pleasant Over Drones

2010
  • List Gallery, Brown University, Providence, RI, Faculty Triennial
  • Stein Galleries, Wright State University, Dayton, OH, Constructed Territory
  • Tweak Festival, Interaction Design Centre, University of Limerick, Limerick, Ireland
  • Dragonfly Festival, Falköping, Sweden, with Soundfjord Gallery
  • Sonic Vigil V, St Fin Barre’s Cathedral, Cork, Ireland
  • Electronic Literature Organization Conference, Brown University, Providence, RI
  • NewMediaFest 2010, Cologne, Germany, SoundLab VII
  • Hunt Gallery, Webster University, St. Louis, MO, re(((SOUND)))
  • Massachusetts College of Liberal Arts, North Adams, MA Amazing Acoustaphotophonogrammitron

2009
  • Ben Maltz Gallery, Otis College of Art & Design, Los Angeles, CA, The Future Imaginary
  • Centre de Cultura Contemporània de Barcelona, Spain, Zeppelin Festival

2008
  • Digital Art Weeks Festival, Swiss Federal Institute of Technology, Zurich, Switzerland
  • Sguardi Sonori Festival, Contemporary Art Museum di Casoria, Naples, Italy
  • Daily Constitutional, SoundCast IV: The Resonance of the Intimate Sound
  • Rencontres Internationales Festival, Haus der Kultur der Welt, Berlin, Germany
  • Inventionen Festival, DAAD, Berlin, Germany
  • Zero/One Festival, San Jose Museum of Contemporary Art, San Jose, CA, Superlight
  • Heidelberger Kunstverein, Heidelberg, Germany, Islands+Ghettos
  • Rencontres Internationales Festival, El Aguila, Madrid, Spain
  • FUEL Collection, Philadelphia, PA, Music To My Eyes
  • Viralnet, Center for Integrated Media, Cal Arts, Valencia, CA, The Lament Project

2007
  • Folly, Lancaster. England, UK, Velocity
  • Rencontres Internationales Festival, Centre Pompidou, Paris, France
  • Wooloo, Berlin, Germany, Land Grab Online, a component of Land Grab at Apex Art, New York, NY
  • Finetuned, Brighton, England, UK, Relay
  • GL Strand, Museum Copenhagen Denmark, 100 Days = 100 Videos
  • Pixilerations Festival, Providence, RI
  • Urban Institute for Contemporary Arts, Grand Rapids, MI, Being Open: 30 Years, 30 Artists, 30 Careers
  • LISTE Cologne 07, Cologne, Germany, with Galerie Haferkamp
  • Zokei Gallery and University Museum, Tokyo Zokei University, Tokyo, Japan, Faculty Works: Fuse
  • Gallery AUBE, Kyoto University of Art and Design, Kyoto, Japan, Faculty Works: Fuse
  • Senson Gallery, UC Santa Cruz, Santa Cruz, CA, Faculty Works: Fuse
  • PULSE Art Fair, New York, NY, with Catharine Clark Gallery

2006
  • Digital and Video Art Fair, Miami Beach, FL, with Galerie Haferkamp
  • Heidelberger Kunstverein, Heidelberg, Germany, 100 Days = 100 Videos
  • San Jose Institute of Contemporary Art, San Jose, CA, Next New
  • Museum of Applied and Contemporary Art (MAK), Vienna, Austria, Globi Award 06

2005
  • Hopkins Gallery, Ohio State University, Columbus, OH, Passions and Visions: Antarctica
  • Sonorities Festival, Sonic Arts Research Centre, Queen’s University Belfast, Northern Ireland, UK
  • Art Frankfurt, Frankfurt Germany, with Galerie Rachel Haferkamp
  • Senson Gallery, UC Santa Cruz, Santa Cruz, CA, Faculty Show
  • Digital and Video Art Fair, New York, NY, with Catharine Clark Gallery
  • Scope Art Fair, New York, NY, with Catharine Clark Gallery

2004
  • Bezalel Academy of Arts and Design, Tel Aviv, Israel, Territories Live / Cities of Collision
  • Heide Museum of Modern Art, Melbourne, Australia, Thinking Out Loud
  • Index, Stockholm, Sweden, Territories, Frontiers, and the Architecture of Warfare
  • Biennale of Electronic Art Perth, Perth, Australia, Sonic Difference
  • ISEA, Kiasma Museum, Helsinki, Finland
  • Klangraum - Raumklang, Cologne, Germany
  • Malmö Konsthall, Malmö, Sweden, Territories
  • Transmediale Festival, Berlin, Germany, Fly Utopia!
  • Sun Valley Center for the Arts, Sun Valley, ID, Sound of Place / Place of Sound
  • Drift, New Media Scotland, Edinburgh, Scotland

2003
  • Ludwig Forum für Internationale Kunst, Aachen, Germany, Wings of Art
  • Caren Golden Fine Art, New York, NY, Pop Rocks
  • Kölnisches Stadtmuseum, Cologne, Germany, Querblick
  • Kunsthalle Darmstadt, Darmstadt, Germany, Wings of Art
  • The LAB, San Francisco, CA, R&D: 20 Years / 20 Artists
  • Horton Gallery, Stockton, CA, Danger
  • Margaret Thatcher Projects, New York, NY, Road Trip
  • Metronom, Barcelona, Spain, Al Lado del Silencio

2002
  • Skulpturenmuseum Glaskasten Marl, Marl, Germany, Deutschen Klangkunst Preis Exhibition
  • Art & Industry Biennial, Christchurch, New Zealand
  • Stadtgalerie Saarbrücken, Saarbrücken, Germany, Resonanz I
  • John Michael Kohler Art Center, Sheboygen, WI Organic/Mechanic

2001
  • Physics Room, Christchurch, New Zealand, 4eva
  • Gencor Gallery, Rand Afrikaans University, Johannesburg, South Africa online | offline
  • MAIS, Blochplatz Bunker, Berlin, Germany
  • The Drunken Boat, New York, NY
  • Klangturm, St. Pölten, Austria
  • Catharine Clark Gallery, San Francisco, CA, 10th Anniversary Show
  • Zeppelin Sound Art Festival, Centre de Cultura Contemporània de Barcelona, Spain

2000
  • Virgin Atlantic Terminal, SFO, San Francisco, CA, Bay Area Connections
  • send + receive, Winnipeg, MB, Canada
  • Physics Room, Christchurch, New Zealand, Tectonic
  • Catharine Clark Gallery, San Francisco, CA, Aural Sex
  • Inventionen Festival, DAAD, Berlin, Germany
  • San Francisco Electronic Music Festival, Cell Space, San Francisco
  • Künstlerhaus, Vienna, Austria, Sounds and Files
  • Spaces Gallery, Cleveland, OH, Atmospheric Conditions
  • Sonoma Museum of Visual Art, Santa Rosa, CA, Small Objects for Sound and Light
  • Bay Area Discovery Museum, Sausalito, CA, Play It By Ear II
  • Stetson University, Deland, FL, Technology & Identity
  • New Langton Arts, San Francisco, CA, Net Work

1999
  • Centre de Cultura Contemporània de Barcelona, Spain, En Red O, VII Symposium of Electronic Music
  • Universidad de Castilla La Mancha, Cuenca, Spain, Situaciones
  • McColl Center for Visual Art, Charlotte, NC, Inaugural Exhibition
  • Kiasma Museum of Contemporary Art, Helsinki, Finland, SoundBox 2
  • Bay Area Discovery Museum, Sausalito, CA, Play It By Ear
  • SoundCulture 99, Auckland, New Zealand
  • Le Wagram, Nice, France Collage JukeBox
  • Catharine Clark Gallery, San Francisco, CA, Spinal Epidural, Please!
  • Musee d'Art Contemporain, Lyon, France Musiques en Scene: Collage JukeBox
  • Oblique, Otira, New Zealand

1998
  • Catharine Clark Gallery, San Francisco, CA, Interiors
  • Volt Festival, Institute for Modern Art, Brisbane, Australia
  • Sherry Frumkin Gallery, Santa Monica, CA, Technical Poetics
  • Bregenzer Kunstverein, Bregenz, Austria, Kunst in der Stadt II: Collage JukeBox
  • Massachusetts Museum of Contemporary Art, North Adams, MA, Earmarks
  • Meltdown Festival, South Bank Centre, London, England, Resonance FM
  • New Langton Arts, San Francisco, CA, Dromology
  • Museum of Contemporary Art, Helsinki, Finland, SoundBox
  • 2nd Space Gallery, San Francisco, CA, Works In Progress

1997
  • Index, Stockholm, Sweden, Auto Show
  • Arcana, New York, NY, New Music Radio
  • Tweed Museum of Art, Duluth, MN, I Ask You
  • 1078 Gallery, Chico, CA, EarArt

1996
  • Muu Media Gallery / Museum of Applied Arts, Helsinki, Finland
  • Four Walls, San Francisco, CA, Inter-Galactic
  • Sonambiente Festival, Berlin, Germany
  • San Francisco Arts Commission Gallery, San Francisco, CA, Techne

1995
  • ISEA 95, Montréal, Quebec
  • Secession Gallery, San Francisco, CA, Discards
  • Richmond Art Center, Richmond, CA, Anonymous Arrangement
  • Headlands Center for the Arts, Sausalito, CA
  • Falkirk Cultural Center, San Rafael, CA, Long Horizons
  • Victoria Room, San Francisco, CA, Big Jesus Trash Can

1994
  • Secession Gallery, San Francisco, CA, Site As Music
  • Titanik Gallery, Turku, Finland, Elsewhere
  • Works/San Jose, San Jose, CA, Dancing on the Continuum
  • Memorial University Art Gallery, St. John's, Newfoundland, Sound City Spaces
  • Falkirk Cultural Center, San Rafael, CA, Interactions
  • Exploratorium, San Francisco, CA, Compose Yourself
  • Victoria Room, San Francisco, CA, Resonant Systems
  • Spaces, Cleveland, OH, Reverberations

1993
  • Pro Arts Gallery, Oakland, CA, Pro Arts Annual

1992
  • Ghia Gallery, San Francisco, CA, Landlocked

1991
  • Pro Arts Gallery, Oakland, CA, The Blue Book Chronicles
  • Electronic Music Plus Festival, Oakland, CA

1989
  • Grossman Gallery, Museum School, Boston, MA, Faculty Exhibition


Performances

2016
  • International Symposium on Electronic Art, City University of Hong Kong, Hong Kong, CN
  • AS220, Providence, RI
  • Machines With Magnets, Pawtucket, RI

2015
  • Cafe Fixe/Non-Event, Brookline, MA
  • AS220, Providence, RI
  • Machines With Magnets, Pawtucket, RI

2014
  • Lyndhurst Estate, Tarrytown, NY
  • Dot Air Festival, Pawtucket, RI
  • Machines With Magnets, Pawtucket, RI

2013
  • 186 Carpenter Gallery, Providence, RI
  • AS220, Providence, RI
  • Mobius/Studio Soto, Boston, MA, with Jed Speare
  • Granoff Center, Brown University, Providence, RI
  • Control-Alt-Repeat, Providence, RI

2012
  • Mobius/Studio Soto, Boston, MA, with Strange Attractor

2011
  • Sound Off, 16 Beaver Project Space, New York, NY
  • Musik Im Freien, Carillon, Tiergarten, Berlin, Germany
  • Quiet Cue, Berlin, Germany
  • re-new Digital Arts Festival, Copenhagen, Denmark

2009
  • Pixilerations Festival, Providence, RI
  • San Francisco Electronic Music Festival, San Francisco, CA

2006
  • Catharine Clark Gallery, San Francisco, CA

2004
  • Biennale of Electronic Art Perth, Perth, Australia
  • singuhr-hörgalerie, Berlin, Germany, with Stephan Mathieu
  • FIIB, Berlin, Germany, with Axel Dörner

2003
  • Voxxx, Chemnitz, Germany
  • Institute of Modern Art, with the Elision Ensemble, Brisbane, Australia
  • The Bus, Melbourne, Australia
  • Metronom, Barcelona, Spain
  • Maerz Musik, Berlin, Germany, with Nicolas Collins
  • Wesleyan University, Middletown, CT

2002
  • Experimental Musik 2002, Munich, Germany
  • Festival of Exiles, Berlin, Germany
  • Gallery Haferkamp, Cologne, Germany
  • Audible Interfaces, with Ensemble Mosaik, Berlin, Germany

2001
  • Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
  • MeX, Dortmund, Germany
  • Gallery Haferkamp, Cologne, Germany
  • Carillon, Tiergarten, Berlin, Germany
  • Local Music, Berlin, Germany
  • Kule, Berlin, Germany
  • Freie Universität, Berlin, Germany
  • Logos Foundation, Ghent, Belgium
  • 21 Grand, Oakland, CA

2000
  • K77, Berlin, Germany

1999
  • Lincoln Center Out of Doors, New York,NY

1998
  • The LAB, San Francisco, CA

1996
  • Urban Institute for Contemporary Art, Grand Rapids, MI

1995
  • Universidade de Brasília, Brasília, Brazil
  • Intersection for the Arts, San Francisco, CA

1994
  • Freunde Guter Musik Berlin, Berlin, Germany
  • SKOP, Frankfurt, Germany
  • Sound Symposium, St. John's, Newfoundland

1993
  • Experimental Intermedia Foundation, New York, NY
  • Audio Visual Experimental Festival, Arnhem, Netherlands
  • VPRO Radio, Amsterdam, Netherlands
  • Logos Foundation, Ghent, Belgium
  • Feedback Studio, Cologne, Germany
  • Het Apollohuis, Eindhoven, Netherlands
  • Victoria Room, San Francisco, CA
  • Festival de Musica Contemporanea, Santafe de Bogota, Colombia

1992
  • Pro Arts Gallery, Oakland, CA
  • Roulette, New York, NY
  • Amica Bunker, New York, NY
  • 800 East Gallery, Atlanta, GA
  • Outpost, Albuquerque, NM

1991
  • Oakland Museum, Oakland, CA
  • Sonic Disturbances Festival, Cleveland, OH

1990
  • Kaleidoscope, San Francisco, CA
  • Gargoyle Mechanique, New York, NY
  • WMWM-FM, Salem, MA
  • Generator, New York, NY
  • AS 220, Providence, RI
  • Worcester Artist's Group, Worcester, MA
  • Zone Art Center, Springfield, MA

1989
  • Real Art Ways, Hartford, CT
  • Knitting Factory, New York, NY
  • New Langton Arts, San Francisco, CA
  • Mobius, Boston, MA
  • WBRS-FM, Waltham, MA
  • WZBC-FM, Boston, MA
  • Kingston Gallery, Boston, MA

1988
  • Roulette, New York, NY
  • Mobius, Boston, MA

1986
  • Real Art Ways, Hartford, CT


Residencies

2014
  • Harvestsworks, New York, NY

2012
  • EMPAC, Rennsalaer Polytechnic Institute, Troy, NY

2011
  • Arctic Circle, Svalbard, Norway
  • Diapason Gallery, Brooklyn, NY
  • Yaddo Colony, Saratoga Springs, NY (& 2008)

2010
  • Experimental Television Centre, Owego, NY

2003
  • Kunsthochschule für Media, Cologne, Germany

2001
  • Christchurch Polytechnic University, Christchurch, New Zealand

2000
  • DAAD Artists-In-Berlin Program, Berlin, Germany
  • Polar Circuit 3, Tornio, Finland
  • McColl Center for Visual Art, Charlotte, NC

1999
  • Artspace, Sydney, Australia
  • Djerassi Resident Artist Program, Woodside, CA
  • Center for Research In Computing and the Arts, UC San Diego, San Diego, CA

1998
  • Polar Circuit 2, Tornio, Finland

1995
  • Headlands Center for the Arts, Sausalito, CA

1994
  • STEIM, Amsterdam, Netherlands
  • Het Apollohuis, Eindhoven, Netherlands

1993
  • Banff Centre for the Arts, Banff, Canada
  • The SoundLAB, San Francisco, CA


Grants and Awards

2015
  • Rhode Island Council for the Arts, Providence, RI (& 2014)
  • Humanities Research Award, Brown University, Providence, RI (& 2014, 2013, 2012, 2011, 2010, 2009, 2008)

2014
  • Saloman Research Award, Brown University, Providence, RI (& 2010)

2009
  • Meet the Composer, New York, NY (& 1992)

2007
  • Committee On Research Grant, UC Santa Cruz, Santa Cruz, CA (& 2006, 2004)
  • Arts Research Initiative Mini Grant, UC Santa Cruz, Santa Cruz, CA

2006
  • Arts Research Initiative Major Project Grant, UC Santa Cruz, Santa Cruz, CA (& 2005)

2004
  • Arts International, New York, NY (& 1995, 1994)
  • Arts Research Initiative Off-Cycle Grant, UC Santa Cruz, Santa Cruz, CA (2004)

2001
  • Finnish Cultural Foundation, Helsinki, Finland (with Simo Alitalo)

2000
  • Guggenheim Fellowship, J.S. Guggenheim Foundation, New York, NY
  • Creative Artist Fellowship, Oakland Cultural Affairs Commission, Oakland, CA

1996
  • Lannan Foundation, Los Angeles, CA, project grant through UICA, Grand Rapids, MI

1995
  • Creative Work Fund, San Francisco

1991
  • Meet the Composer/California, Los Angeles, CA


Lectures, Panels, Workshops

2016
  • Columbia University, New York, NY
  • International Symposium on Electronic Art, City University of Hong Kong, Hong Kong, CN
  • University of Rhode Island, Kingston, RI

2015
  • New York Electronic Arts Festival, Made in New York Media Center, Brooklyn, NY
  • Rhode Island School of Design, Digital Media Program, Providence, RI
  • Interrupt 3 Conference, Brown University, Providence, RI

2014
  • International Symposium on Electronic Art, Dubai, United Arab Emirates
  • University of the Arts, Helsinki, Finland
  • Sonic Focus Conference, Brown University, Providence, RI
  • Caramoor Center for Music and The Arts, Katonah, NY
  • Harvestworks, New York, NY

2013
  • Pew Center for Arts and Heritage, Philadelphia, PA
  • University of Technology Sydney, Sydney, Australia
  • Stanford University, Palo Alto, CA
  • DANM Program, UC Santa Cruz, Santa Cruz, CA
  • Arts, Media + Engineering Program, Arizona State University, Tempe, AZ
  • Columbia University, New York, NY
  • New Media Caucus, College Art Association Conference, New York, NY
  • School of Visual Arts, New York, NY

2012
  • Muhlenberg College, Allentown, PA
  • International Symposium on Electronic Art, Albuquerque, NM
  • Dartmouth College, Hanover, NH
  • Virginia Commonwealth University, Richmond, VA
  • University of Virginia, Charlottesville, VA

2011
  • Run Run Shaw Arts Centre, City University of Hong Kong, China
  • Nordic Sound Art Joint Study Program, Royal Danish Academy of Arts, Copenhagen, Denmark
  • Unsound Festival, Goethe Institute, New York, NY

2009
  • University of New Mexico, Albuquerque, NM
  • California Institute of the Arts, Valencia, CA (& 2001)
  • University of California at Berkeley, Berkeley, CA
  • Mills College, Oakland, CA (& 2006, 2001, 1998, 1989)
  • San Francisco Electronic Music Festival, San Francisco, CA
  • Rhode Island School of Design, Digital Media Program, Providence, RI

2008
  • Royal Academy of Art, Stockholm, Sweden
  • Sonic Fragments Symposium, Princeton University, Princeton, NJ

2007
  • University of Illinois at Chicago, Chicago, IL
  • DXARTS, University of Washington, Seattle, WA

2006
  • Fresno Metropolitan Museum, Fresno, CA
  • International Symposium on Electronic Art, San Jose, CA
  • San Francisco Art Institute, San Francisco, CA (& 2005, 2002, 1999, 1998, 1997, 1995, 1994, 1991)
  • DANM Festival, UC Santa Cruz, Santa Cruz, CA
  • Sacramento State University, Sacramento, CA

2005
  • Byrd Colloquy, Ohio State University, Columbus, OH
  • Sonic Arts Research Centre, Queen’s University Belfast, Belfast, Northern Ireland
  • Headlands Center for the Arts, Sausalito, CA
  • Arts, Media + Engineering Program, Arizona State University, Tempe, AZ

2004
  • Bergen Art Academy, Bergen, Norway
  • University of Minnesota, Minneapolis, MN

2003
  • University of Art and Design, Helsinki, Finland
  • Queensland University of Technology, Brisbane, Australia
  • Queensland College of Art, Brisbane, Australia (& 1998)
  • RMIT University, Melbourne, Australia
  • International Critics Symposium, Brisbane Powerhouse, Brisbane, Australia
  • Queensland Biennial Festival of Music, South Bank Center, Brisbane, Australia
  • Sparwasser HQ, Berlin, Germany
  • Wesleyan University, Middletown, CT

2002
  • Kunsthochschule für Media, Cologne, Germany
  • Auckland Art Gallery, Auckland, New Zealand (& 1999)
  • Victoria University, Wellington, New Zealand

2001
  • Massey University, Wellington, New Zealand
  • Robert McDougall Art Gallery, Christchurch, New Zealand
  • Freie Universität, Berlin, Germany,

2000
  • Technishe Universität, Berlin, Germany
  • High Touch / High Tech Symposium, Kala Institute / Oakland Museum, Oakland, CA
  • Davidson College, Davidson, NC
  • Kent State University, Kent, OH
  • University of Akron, Akron, OH
  • Cleveland Institute of Art, Cleveland, OH
  • Critical Issues in Net Art Symposium, University of California at Berkeley, Berkeley, CA
  • Stetson University, Deland, FL

1999
  • Tasmanian School of Art, Hobart, Tasmania
  • San Francisco International Art Exposition, San Francisco, CA
  • San Jose State University, San Jose, CA,
  • Interval Research Corporation, Palo Alto, CA
  • University of California at Davis, Davis, CA (& 1998)
  • School of the Art Institue of Chicago, Chicago, IL
  • The Physics Room, Christchurch, New Zealand
  • University of Canterbury, Christchurch, New Zealand
  • Otago Polytechnic School of Art, Dunedin, New Zealand
  • Elam School of Art, Auckland, New Zealand
  • UC San Diego, San Diego, CA

1998
  • Volt Symposium, Brisbane, Australia
  • Solano Community College, Suisun, CA
  • Columbus College of Art & Design, Columbus, OH
  • Kala Institute, Berkeley, CA
  • International Center for Digital Art, San Francisco, CA (& 1997)

1997
  • International Conference on Auditory Display, Xerox PARC, Palo Alto, CA

1996
  • Grand Valley State University, Allendale, MI
  • Kendall College, Grand Rapids, MI

1995
  • Bard College, Annandale-on-Hudson, NY
  • Rensselaer Polytechnic Institute, Troy, NY
  • Hudson Valley Community College, Troy, NY

1993
  • Academie voor Beeliende Kunst St. Joost, Breda, Netherlands

1992
  • Georgia State University, Atlanta, GA

1991
  • University of the Arts, Philadelphia, PA


Teaching

  • Brown University. Providence RI, Associate Professor (2015 – present)
  • Brown University. Providence RI, Assistant Professor (2008 – 2014)
  • University of California at Santa Cruz, Santa Cruz, CA, Assistant Professor (2005 – 2007)
  • California College of the Arts, Oakland, CA, Lecturer (2003, 1999, 1995, 1994)
  • Hochschule für Grafik und Buchkunst, Leipzig, Germany, Guest Professor (2002)
  • University of California at Davis, Davis, CA, Lecturer (2000)
  • San Francisco State University, San Francisco, CA, Lecturer (1998, 1997, 1995)
  • School of the Museum of Fine Arts, Boston, MA, Lecturer (1988 – 1990)


Sound Design

  • 231 West 47th Street, by Uli Rasche, Sophiensale, Berlin, Germany (2004)
  • Turing Tables, by Franz John, ARCO, Madrid, Spain (2003)
  • Hof, by Thomas Demand, Berlin, Germany (2001)
  • Made In USA: The Angel Island Project, by Flo Oy Wong, Angel Island, CA (2000)
  • Speaking In Tongues: A Look at the Language of Display, by Fred Wilson, M.H. de Young Memorial Museum, San Francisco, CA (1999)
  • Swatch Pavilion, with Pfau Architecture (San Francisco, CA), Expo 98, Lisbon, Portugal (1998)
  • The Hospital: Five Confessions, by Ilya Kabakov, Capp Street Project, San Francisco, CA (1997)
  • Secret Paths, Purple Moon Multimedia, Mountain View, CA (1997)
  • Swatch Pavilion, with Pfau Architecture (San Francisco, CA), Olympic Games, Atlanta, GA (1996)
  • Hop, by HAHA, Capp Street Project, San Francisco, CA (1996)
  • American Female, by Laura Brun, Intersection for the Arts, San Francisco, CA (1994)
  • Gallery, by Mel Chin, Capp Street Project, San Francisco, CA (1992); traveled to the Three Rivers Festival, Pittsburgh, PA (1992)
  • The Airwaves Project, by Shu Lea Cheang, Capp Street Project, San Francisco, CA, (1991)
  • Fugitive Landing, by May Sun, Capp Street Project, San Francisco, CA (1991); traveled to the List Visual Art Center, Cambridge, MA (1991)
  • A Cheap Watch, directed by Patrick Stettner, Stenola Films, Boston, MA (1989)


Professional Activities

  • Juror, New Music USA, New York, NY (2015)
  • Juror, FETA Sound Art Prize, Foundation for Emerging Technologies and Arts, Miami, FL (2013)
  • Juror, Chazan Gallery, Providence, RI (2012)
  • Curatorial Advisory Committee, San Jose Institute for Contemporary Art (2006 – 2007)
  • Juror, Interactive City, ISEA Festival, San Jose, CA (2005)
  • Publisher and Editor, Stretcher, online arts journal, San Francisco, CA (2005 – present)
  • Juror, Djerassi Resident Artist Program, Woodside, CA (2000)
  • Curatorial Advisory Committee, San Francisco Electronic Music Festival, San Francisco, CA (1999 – present)
  • Curator, Corporeal Sky, Physics Room, Christchurch, New Zealand (1999); Traveled to Artspace, Sydney, Australia (1999)
  • Co-Curator (with April Latranga), Sinusoidal, San Francisco State University, San Francisco, CA (1999)
  • Member, Artist Committee, San Francisco Art Institute, San Francisco, CA (1997 – 1999)
  • Director, SoundCulture 96, a Pacific Region festival of sonic arts (1994 – 1996)
  • Curatorial Committee, The LAB, San Francisco, CA (1994 – 2000)


Writing

  • "Things Which Are Imperfect, and Things For Which the Term Imperfect Does Not Apply," essay for Audio Combine, by John Bischoff, New World Records (Brooklyn, NY), 2012.
  • "Visions of Sound: Flying Machines," Musicworks Magazine (Toronto, Canada), #102, Winter, 2008, p. 64.
  • "Language Master," Leonardo Music Journal, San Francisco, CA, Vol. 15,  #1, December, 2005
  • "Southern Exposures," Cabinet (Brooklyn, NY), Issue 10, Spring, 2003, pp. 38–41. Reprinted in The Frontiers of Utopia and Other Facts on the Ground, Anselm Franke and Eyal Weizman, editors, catalog for Territories exhibition at the Malmö Konsthall, Verlag der Buchhandlung Walther König (Köln, Germany) 2004, pp. 84-87.
  • "Electricity Arcs Both Ways From Heaven," catalog essay, Artspace (Sydney, Australia) October, 1999.
  • "Visible Systems: Recent Sound Installations," YLEM Newsletter (Orinda, CA), Vol. 19, No. 10, September/October, 1999.
  • "Creaking Grounds: Tectonics and SoundCulture 96," Essays In Sound (Contemporary Sound Arts, Sydney, Australia), Vol. 3, December, 1996, pp. 45-53.
  • "SoundCulture 96," Sound Arts (Kobe, Japan), Vol. 8, Summer, 1996, pp. 1-4.
  • "Local Conditions and Perceptual Concerns: Notes on Several Sound Works," Leonardo Music Journal (Oxford, England), Vol.1, #1, December, 1991, pp. 89-93.


Education

  • Mills College, Oakland, CA, M.F.A. (1993)
  • Wesleyan University, Middletown, CT, B.A. (1987)


Recordings

  • Palm House Transect, Ground Lifter, Providence, RI (2016)
  • Stone North, Estuary Ltd, Providence, RI (2013)
  • Instrumentarium, collaboration with Boris Hegenbart, Monotype Records, Warsaw, Poland (2012)
  • Explorations in Sound, Vol. 4: The Sound of Live Performance, Furthernoise, Sydney, Australia (2011).
  • Zelphabet: E, Zelphabet Records, Hollywood, CA (2008)
  • Drift | Resonant Cities, New Media Scotland, Edinburgh, Scotland (2006)
  • Singing Bridges Vibrations:Variations, Sonic Artstar, Sydney, Australia (2005)
  • Earworm, Ten Songs From Beyond, remix for CD by Candice Breitz, Künstlerhaus Bethanien, Berlin, Germany (2002)
  • 4Eva: A Tribute to Fanaticism, Physics Room, Christchurch, NZ (2001)
  • Music for the 21st Century, Leonardo Music Journal CD, Vol.1, No.1, Oxford, England (1991)
  • Arf Arf Presents, Arf Arf Records, Cambridge, MA, with the Ski-A-Delics (1990)
  • We Are What You Eat, Slippery Slope Music, Boston, MA, with the Ski-A-Delics (1990)
  • Lennarcs, Frog Peak, Hanover, NH (1989)
  • Snow Bunny Bobby Katz…, Slippery Slope Music, Boston, MA, with the Ski-A-Delics (1989, reissued 2013)


Bibliography

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  • Kahn, Douglas, "Squirming and Recoiling," catalog essay, Artspace, Sydney, Australia, October, 1999.
  • "Art Picks, " Time Out Sydney Online, Sydney, Australia, November 9, 1999.
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  • Harlib, Leslie, "Culture sounds off at Falkirk Mansion," Marin Independent Journal (Novato, CA), April 9, 1996, p. C2.
  • Finkel, Jori, "Over There," The East Bay Express (Berkeley, CA), April 5, 1996, p. 39.
  • Chonin, Neva, "Culture Jamming," The San Francisco Bay Guardian (San Francisco, CA), April 3, 1996, p. 31.
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  • Shapiro, Carolyn, "Energized," The Record, Troy, NY, October 26, 1995, p. 1.
  • Shaboy, Benny, interview, studioNOTES, Benicia, CA, No. 9, September - December, 1995, pp. 2-3.
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  • van Peer, Rene, "Verfrissende kijk op schaduw getreden mediakunst," Eindhovens Dagblad (Eindhoven, Netherlands), September 10, 1994, p. 47.
  • Ripatti, Matti, "Ääniä kovaäänisten tuolta puolen," Helsingin Sanomat (Helsinki, Finland), August 16, 1994, p. D8.
  • Kivelä, Malin, "Avklippta samtal och ljud från Aura å," Åbo Underrättelser (Turku, Finland), August 12, 1994, p.33.
  • Sherman, Ann Elliot, "3-D Explorations," Metro (San Jose, CA), August 11, 1994, p. 23.
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  • Cullinan, Helen, "Shattering the Silence," The Plain Dealer (Cleveland, OH), March 28, 1994, p. 3E.
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  • Barr, Tavis, review, Knot Magazine (Boston, MA), Vol.1, No.1, April/May, 1989, p. 15.
  • Seigel, Jessica, "Wesleyan's Experimental Composers," The Middletown Press (Middletown, CT), February 22, 1985, p. 5.