Ed Osborn's sound art pieces take many forms including installation, sculpture, radio, video, performance, and public projects. His works combine a visceral sense of space, aurality, and motion with a precise economy of materials. Ranging from rumbling fans and sounding train sets to squirming music boxes and delicate feedback networks, Osborn's kinetic and audible pieces function as resonating systems that are by turns playful and oblique, engaging and enigmatic.

Osborn has performed, exhibited, and lectured, and held residencies throughout the United States, Canada, Europe, Australia, New Zealand, and South America. The recipient of many awards including a DAAD Artists-in-Berlin Stipendium and a Guggenheim Fellowship, he is represented by the Catharine Clark Gallery in San Francisco, Galerie Haferkamp in Cologne, and is on the faculty of Brown University.

	Upcoming events include participation in Superlight at the Zero/One Festival (San Jose) and Islands+Ghettos at the Hedelberger Kunstvererien (Heidelberg) and the Sonic Fragments conference (Princeton).
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